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Intersections form feeling isomorphism reichling
Intersections form feeling isomorphism reichling



Intersections form feeling isomorphism reichling

Link: Download Intersections form feeling isomorphism reichling



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Response to Mary Reichling, “Intersections: Form, Feeling, and Isomorphism”. Philosophy of Music Education Review 16 (2):208-212. David Stevenson (2004).

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"INTERSECTIONS: FORM, FEELING, AND. ISOMORPHISM". ELINAPACKALEN. University of Turku, Finland. Mary Reichling's paper (Philosophy of Music Response to Mary J. Reichling, "Intersections: Form, Feeling, and Isomorphism". Stevenson, David. Philosophy of Music Education Review , v12 n1 p67-70 Spr Presents a response to Mary J. Reichling's article on the intersections of form, feeling and isomorphism in music. Evaluation of Reichling's perspectives on the

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Form, Feeling, and Isomorphism. Mary J. Reichling. University of Louisiana at Lafayette. These three concepts hold meanings that differ among musicians and Reichling, Mary. 1993. “Susanne Langer's Theory of Symbolism: “Intersections: Form, Feeling, and Isomorphism.” Philosophy of Music Education Review 12,Autor: Sinclair, Anne. Titel: Response to Mary J. Reichling, "Intersections: Form, Feeling, and Isomorphism". Quelle: Philosophy of Music Education Review; v12 Anne Sinclair (2004). Response to Mary J. Reichling, "Intersections: Form, Feeling, and Isomorphism&Quot. Philosophy of Music Education Review 12 (1):64-66. For a commentary on Langer's views on feeling, see Mary J. Reichling, “Intersections: Form, Feeling, and Isomorphism,” Philosophy of Music Education Review Minneapolis: Augsburg, 1984. Reichling, Mary. “Intersections: Form, Feeling, and Isomorphism.” Philosophy of Music Education Review 12:1 (2004) 17–29.


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